![]() As mentioned above, tilt-shift lenses are designed to eliminate perspective distortion and offer powerful. Both Nano Crystal and Super Integrated Coatings have been applied to individual elements to reduce flare and ghosting for improved contrast in strong lighting conditions, and a fluorine coating has also been added to the front and rear elements to guard against dust, moisture, and smudging. Tilt vs shift: What does a tilt-shift lens do. Characterized by an expansive field of view that is ideal for photographing tight indoor spaces and complex architectural subjects, this lens also offers flexible perspective and focus control to adjust distortion and depth of field.Ĭomplementing the mechanical layout of the lens is an apt optical design, which includes three extra-low dispersion elements and two aspherical elements to reduce chromatic and spherical aberrations for improved clarity and sharpness. As the wide-angle version of Nikons three perspective control (tilt-shift) lenses, the PC-E NIKKOR 24mm f/3.5D ED delivers a dramatic ultra-wide-angle view. Up to 90° of rotation is also possible using the PC Rotation capability, and shift movements do not require locking or unlocking for use. Nikon PC-E 24mm /3.5D ED Tilt-Shift NIKKOR-groothoekobjectief met perspectiefcorrectie (PC-E) voor architectuur- en landschapsfotografie met een toonaangevende tilt- en shift-beweging. Focus ring is smooth throughout the whole throw. ![]() Up to +/- 7.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition, and tilt can be applied parallel or perpendicular to shift. 9/10 Excellent working condition with little to no visible signs of cosmetic wear. ![]() ![]() Featuring an ultra-wide design prized for architectural and interior subjects, the PC NIKKOR 19mm f/4E ED from Nikon allows you to impart both tilt and shift movements to control focus and perspective, as well as apply the movements independently for more creative flexibility. The Nikon 24mm tilt-shift lens enables photographers to control depth of field and to correct image distortion, making it possible to take sophisticated. Freed: just FYI - the lens-in-shutter on these old folders will give you more backside room than the 645 or Pentax 67 ('Texas Nikon') lenses will, and some of them actually allowed for limited movements on medium format (usually just rise), so the image circle would be even bigger. ![]()
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